The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
I will take my public disavowals of attacks on journalism where I can get them, even when they're flawed, and even when they feel like a cathartic excuse to rail against what's essentially a cardboard cut-out of a real person.
The bottom line is Murphy is relatable. If we can't see Murphy in ourselves, we have a Murphy in our lives to compare her to, right? Unless the show sticks with only political jabs, Murphy Brown might be a success.
Just as Murphy strives to place her journalistic integrity above the sensationalist cravings of cable news, Murphy Brown would be well served to place the connection between its characters above its mission to make the ugliness of our reality funny.
Murphy ultimately has it both ways regarding Shannon-rhymes-with-Bannon, but it's not clear yet whether the revived Murphy Brown is going to be so lucky, striving as it does to be both mainstream comedy and liberal agitprop.
In short, Murphy Brown was a lovably fractured mess and nobody's poster child for anything. Turning her into a geriatric Rachel Maddow-style Stalinist (Bergen is 72, around the same age as her character) does lethal damage to the heart of the show.