The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
With a killer cast led by Viola Davis, Cynthia Erivo, Michelle Rodriquez and Elizabeth Debicki, director Steve McQueen turns four women and a heist into the powerhouse thriller of the year. You're in for a hell of a ride.
McQueen seems to be saying look again, look harder, because underneath the roiling tension of big money heists and the crunching of political gears is an examination about the ugly machinations of power, money and patriarchy.
Leave it up to Steve McQueen to revitalize the heist movie in such a way that it moves beyond the shoot-'em-up, grand theft business to tell a story about Chicago's dirty politics, social and economic corruption, and moral ambiguity.
The ensemble is a blast. Everyone gets their moment and you come away feeling like you really got to know most of them, but it is Davis and her unforgettably searing intensity (and killer wardrobe) who owns "Widows" from start to finish.
The director of "12 Years a Slave" has lost little of his talent for moral shock, and the new film retains a clear-eyed vision of what has changed, and just how much has not, in the contesting of American power.
McQueen's masterful film is the kind that works on multiple levels simultaneously-as pure pulp entertainment but also as a commentary on how often it feels like we have to take what we are owed or risk never getting it at all.
After watching what filmmaker Steve McQueen does with the heist drama in "Widows," give him free rein to take on whatever other tried-and-true (and somewhat rote) Hollywood genre he wants to transform into a piece of high art.
With genuinely funny moments but twists in the plot and a tone closer to Hollywood standards, makes Widows a minor effort in McQueen's filmography, showing his more generic and even complacent side. [Full Review in Spanish]