Eric D. Snider

Eric D. Snider
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
B 94% Wildlife (2018) The emotions are sometimes raw, but there are no hysterics, no melodrama, and the performances are measured and honest.‐ Crooked Marquee
Read More | Posted Dec 13, 2018
C+ 64% Tyrel (2018) Tyrel is Get Out if you removed the horror, most of the comedy, and the point. ‐ Crooked Marquee
Read More | Posted Dec 12, 2018
A 94% The Favourite (2018) Immensely entertaining... With all of its cutthroat machinations, pathetic figureheads, and behind-closed-doors absurdity, you'd be forgiven for assuming it came from the minds behind HBO's Veep.‐ Crooked Marquee
Read More | Posted Dec 7, 2018
B- 71% Clara's Ghost (2018) The family dynamics are funny and gently odd, and the film has the sort of quirky humor you'd expect from something with Chris Elliott's DNA in it. ‐ Crooked Marquee
Read More | Posted Dec 7, 2018
B- 82% Green Book (2018) A pleasant, humorous movie, affable but extremely shallow. A well-intentioned but rather clueless feel-good effort.‐ Crooked Marquee
Read More | Posted Dec 5, 2018
C 14% The Possession of Hannah Grace (2018) Doesn't do anything with it that you haven't seen before ... or that you won't see again in a few weeks, when the next movie exactly like this one comes out.‐ Crooked Marquee
Read More | Posted Nov 30, 2018
B+ 79% Anna and the Apocalypse (2018) Has a merry old time with the juxtaposition of Christmas and horror... This plucky and funny holiday treat shouldn't be ignored.‐ Crooked Marquee
Read More | Posted Nov 29, 2018
B 63% Suspiria (2018) Moody, nightmarish... The goal is to unnerve and fascinate us... A bit overstuffed, but often transfixing in its dreamy weirdness and macabre possibilities.‐ Crooked Marquee
Read More | Posted Nov 29, 2018
C 16% Robin Hood (2018) A dumbly anachronistic action-adventure that you will never believe was not directed by Guy Ritchie and written by 12-year-olds.‐ EricDSnider.com
Read More | Posted Nov 28, 2018
B- 88% Ralph Breaks the Internet (2018) It's approximately as funny and endearing as the first one (which is to say it's a good time, but nothing special).‐ EricDSnider.com
Read More | Posted Nov 26, 2018
B- 83% Creed II (2018) It's a step down from its predecessor, but hey, aren't we all? It works well enough as yet another Rocky sequel.‐ Crooked Marquee
Read More | Posted Nov 24, 2018
B+ 81% Instant Family (2018) Funny and relatable.... The happy tears and good feelings it produces are well earned, not forced. ‐ Crooked Marquee
Read More | Posted Nov 23, 2018
B 68% Beautiful Boy (2018) Gives Steve Carell the opportunity to do some fine dramatic work as a loving father experiencing the multiple heartbreaks of parenthood.‐ Crooked Marquee
Read More | Posted Nov 21, 2018
B+ 91% Widows (2018) More fleshed-out, more real-world weighty than your standard popcorn caper, and it's a rush seeing these women take matters into their own felonious hands.‐ EricDSnider.com
Read More | Posted Nov 21, 2018
B 81% Boy Erased (2018) Like the similarly themed Love, Simon, it's a good movie that does a great thing. To be on the receiving end of a movie's empathy machine is a gift.‐ Crooked Marquee
Read More | Posted Nov 19, 2018
C- 38% Fantastic Beasts: The Crimes of Grindelwald (2018) The story lumbers along without urgency, Yates and Rowling believing they've earned the audience's loyalty just by using the Harry Potter font in the titles‐ EricDSnider.com
Read More | Posted Nov 16, 2018
B- 58% The Front Runner (2018) Never anything more than a standard political biopic with a little zip to it.‐ Crooked Marquee
Read More | Posted Nov 15, 2018
C 40% The Girl in the Spider's Web (2018) An ordinary, mundane tech thriller whose only distinction is that it's connected to a previous movie. It's the very definition of a sequel nobody wanted.‐ EricDSnider.com
Read More | Posted Nov 14, 2018
B- 57% The Grinch (2018) Fitfully amusing, harmless, and negligible. It neither detracts from Dr. Seuss' legacy nor enhances it.‐ EricDSnider.com
Read More | Posted Nov 12, 2018
2.5/4 81% Overlord (2018) Shallow comic-book carnage with no subtext, but it successfully walks the line between serious and ludicrous without tipping over into campy.‐ Salt Lake City Weekly
Read More | Posted Nov 7, 2018
C 62% Bohemian Rhapsody (2018) The sort of watered-down pablum that should be embarrassed to show its face in a world where Walk Hard: The Dewey Cox Story exists.‐ Crooked Marquee
Read More | Posted Nov 4, 2018
A- 88% Bodied (2018) Structured like a sports movie, culminating in an electrifying showdown... An explosively, devastatingly funny snapshot of American culture in 2018.‐ Crooked Marquee
Read More | Posted Nov 2, 2018
C- 22% Nobody's Fool (2018) It eventually dissolves into the usual Perry morass, where nobody onscreen is behaving like a real person and you spend the last half-hour tapping your foot impatiently while making the "move it along" motion with your hand.‐ Crooked Marquee
Read More | Posted Nov 2, 2018
B 76% Mid90s (2018) Predictable or not, it boasts endearing performances, a spot-on soundtrack, and smooth direction by Hill.‐ Crooked Marquee
Read More | Posted Oct 31, 2018
C 34% Johnny English Strikes Again (2018) Atkinson's gift for physical comedy remains superb - but Johnny English is the film's only funny character. Everyone else is written and played straight.‐ Crooked Marquee
Read More | Posted Oct 29, 2018
B- 61% The Oath (2018) The dynamic is familiar and funny... The second half isn't nearly as satisfying, but the film still works as caustic social satire. ‐ Crooked Marquee
Read More | Posted Oct 29, 2018
B- 37% Hunter Killer (2018) A submarine movie for dads... Just simple-headed enough to hit the spot, not quite so ludicrous that it pulls me out of it. ‐ Crooked Marquee
Read More | Posted Oct 27, 2018
B- 97% The Hate U Give (2018) Often didactic and two-dimensional, coming across like a Black Lives Matter "Afterschool Special," albeit an especially heartfelt one.... Amandla Stenberg is a winning lead.‐ Crooked Marquee
Read More | Posted Oct 26, 2018
B 85% The Sisters Brothers (2018) Conveys most of the book's darkly comic charm while presenting a minor spin on the Western formula... A diverting lark. ‐ Crooked Marquee
Read More | Posted Oct 25, 2018
B+ 98% Free Solo (2018) An eye-popping profile of an extraordinary athlete... Prepare for a lot of breath-holding and armrest-clutching. ‐ Crooked Marquee
Read More | Posted Oct 22, 2018
D 53% An Evening with Beverly Luff Linn (2018) Hosking removed the provocation [of The Greasy Strangler] but kept the deliberately bad acting and go-nowhere story. ‐ Crooked Marquee
Read More | Posted Oct 18, 2018
B+ 99% The Guilty (Den skyldige) (2018) Tight, efficient thriller set in a single location keeps us riveted, with more twists than its simple premise would suggest. ‐ Crooked Marquee
Read More | Posted Oct 18, 2018
B No Score Yet Jane and Emma (2018) An engrossing historical drama... The rare film that's spiritually uplifting without glossing over the hard parts.‐ Crooked Marquee
Read More | Posted Oct 17, 2018
B- 33% Little Women (2018) Not all of the plot adjustments work, but the production is cheerful and heartfelt, and for some reason it's always Christmas, so it wins points for sheer merriness.‐ Crooked Marquee
Read More | Posted Oct 16, 2018
B- 47% Goosebumps 2: Haunted Halloween (2018) It's strictly garden-variety trick-or-treat frivolity, but it has a sense of humor, and the climactic mayhem is admirably large-scale.‐ Crooked Marquee
Read More | Posted Oct 15, 2018
B 74% Bad Times at the El Royale (2018) More enjoyable as an unsolved mystery than as a solved one. But it's a heck of a fun ride anyway, thanks to Goddard's masterful storytelling.‐ Crooked Marquee
Read More | Posted Oct 15, 2018
C 68% The Happy Prince (2018) A lugubrious slog... We never get a good sense of who Wilde was; it's just a recitation of events.‐ Crooked Marquee
Read More | Posted Oct 11, 2018
B 94% Private Life (2018) Seldom an all-out comedy, though it does have droll moments and scenes... Hahn, a comedy dynamo, gives a deeply felt dramatic performance.‐ Crooked Marquee
Read More | Posted Oct 10, 2018
B 76% Smallfoot (2018) Comfortable territory, executed with cheerful aplomb. Many fine gags and good slapsticky shenanigans. ‐ Crooked Marquee
Read More | Posted Oct 10, 2018
D+ 29% Night School (2018) Overlong, under-funny... An exhausting series of pointless contrivances... Wants the characters to be Real People without doing the work to make their personalities and motivations more than one-dimensional. ‐ Crooked Marquee
Read More | Posted Oct 9, 2018
B 90% A Star Is Born (2018) Sturdy, old-fashioned... Gaga's powerhouse voice is one of the film's key assets... Packs an emotional wallop by focusing on these two faces and voices.‐ Crooked Marquee
Read More | Posted Oct 8, 2018
C 29% Venom (2018) Tonally uneven, mostly bumbling, and occasionally funny, sometimes on purpose. Is it good? No. Is it boring? Also no.‐ Crooked Marquee
Read More | Posted Oct 5, 2018
A- 99% Selma (2015) This heartfelt, compelling docudrama about Martin Luther King Jr. and the 1965 civil rights marches shows how far we've come.‐ EricDSnider.com
Read More | Posted Oct 4, 2018
B 67% The House with a Clock in Its Walls (2018) It's nothing special, but it's tastefully macabre in that cozy October way and only has a few poop jokes.‐ Crooked Marquee
Read More | Posted Oct 4, 2018
B- 40% Hell Fest (2018) The scares are modestly effective, and the between-scares scenes of six lively young people horsin' around at a spook alley are tolerable.‐ Crooked Marquee
Read More | Posted Oct 1, 2018
B- 79% Halloween (2018) The whole thing might be better as a symbol than as a Halloween movie, but it's not a bad Halloween movie.‐ Crooked Marquee
Read More | Posted Oct 1, 2018
B 69% Hold the Dark (2018) Bracing mood piece with compelling characters in a palpably, cinematically bleak setting.‐ Crooked Marquee
Read More | Posted Sep 30, 2018
B- 80% Terrified (Aterrados) (2017) Has effective sequences, but it's ultimately a mish-mash of horror tropes, a parade of things you've seen before repackaged in shiny wrapping. ‐ Crooked Marquee
Read More | Posted Sep 30, 2018
B 50% Donnybrook (2019) Bleak misery porn... Compelling, visceral... Has an appealing somberness to it. ‐ Crooked Marquee
Read More | Posted Sep 24, 2018
B+ 100% Keep an Eye Out (Au Poste!) (2018) Many absurd delights, running the gamut from wordplay to slapstick and back again, all performed with an air of dedicated lunacy.‐ Crooked Marquee
Read More | Posted Sep 24, 2018
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